Imaginary engines, light splits & sonores, vernissage Institute of the Arab World, 19 to 21 January 2017 plastic and sound installation, the Hypostyle room In the beginning was black. The hypostyle hall, a huge space of 900 m2, crossed by a forest of columns and inspired by the great mosque in Cordoba, is located in the...
OUVRIR LE SACRÉ : contemporary urgencies Under the context of Jeudis de l'IMA Institut du Monde Arabe Debate on the theme of Arab spirituality and modernity on the occasion of the entry into residence of Zad Moultaka with the 2e2m ensemble Zad Moultaka, composer Eric Geoffroy, expert in Islamic studies and writer Corinne Schneider, musicologist...
by the Compagnie Chœur en Scène, conductor Emmanuèle Dubost Jean-Pierre Drouet, percussion, Marine Clermont, bass & Gilles de Obaldia reciter Free admission to the extent of the available places, reservation to: [email protected] https://zadmoultaka.com/musique/portfolio/tu-nas-rien-vu-a-ougarit/
Time and appearance https://zadmoultaka.com/musique/portfolio/la-passion-dadonis/
Hanbleceya concerto for guitar and ensemble ensemble 2e2m, Pablo Márquez, guitare, direction Pierre Roullier Conservatoire à Rayonnement régional de Paris
Calvario et Kahraba (premiere) Pierre Bibault , guitar University of Louisiana at Lafayette, Burke Theatre, USA https://zadmoultaka.com/musique/portfolio/kahraba/
Calvario et Kahraba (création) Pierre Bibault Music and Arts Department, Indianapolis University, Indiana, USA Indianapolis Society of the Classical Guitar & IUPUI Department of Music and Arts Technology, ICT Complex https://zadmoultaka.com/musique/portfolio/kahraba/
Calvario and Kahraba (premiere) Pierre Bibault Louisville Guitar Society, Bellarmine University, Cralle Theater https://zadmoultaka.com/musique/portfolio/kahraba/
Lamentazione Mezwej & Concerto Soave ensembles
LamentazioneMezwej & Concerto Soave ensembles, Maria Cristina KiehrFestival Mars en Baroque, Marseillehttps://zadmoultaka.com/blog/projets/lamentazione-concert/
