An-Nâs

AN-NÂS

17′ – 2006
for trio à cordes et percussions

An-Nâs is a piece of chamber music for string trio and percussion, inspired by the last surah of the Koran “The Men”. Without touching the sacred text, the instrumental writing creeps into the writing of the word (sound), the full and the upstroke of calligraphy, and the soul of this vision. It consists of four successive “solos”: violin, viola, cello and percussion, relatively slow and airy movements. After this exhibition, we are felling in tutti these same four parts overlapping. Everything is linked in a great meditation and looks like a ritual ceremony. The hearing, which has already become accustomed to each form, enjoys finding its traces, while discovering a fifth form, a sentence, a reconstituted word, as something latent that emerges.

Title
The title “An-Nâs” (Men) is the last surah of the Quran

Set
1 violin, 1 viola, 1 cello, 1 percussion Percussion

percussions
2 tams-big and medium-1 bass drum, 1 vibraphone or glock, 1 rubber ball, knitting needles

A work strangely overlaid

Premiere: April 2, 2006
Venue: House of Architects, Poitiers, France
By: Bénédicte Trotereau, violin, Alain Tresallet, viola, Isabelle Veyrier, cello, Isabelle Cornelis, percussion
instrumental ensemble Ars Nova

November 24, 2007 The Hexagon, Festival 38e Rugissants, Grenoble by the Ensemble Orchestral Contemporain, Daniel Kawka, direction

February 20, 2008 Salle Claude Champagne, University, Montreal by the Nouvel Ensemble Moderne de Montréal

November 15, 2008 Novelum Festival, Saint-Pierre-Les-Cuisines auditorium, Toulouse, France by the Pythagoras ensemble

January 23, 2013 Présences Festival, Grand Théâtre de Provence Aix en Provence, by the Ensemble Orchestral Contemporain, Daniel Kawka, direction

Commission by ars nova instrumental ensemble

© ŠamaŠ editions musicales 2006

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