PUBLICATIONS

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GEMME

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VISIONS

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ZARANI

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RITUELS

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OU EN EST LA NUIT

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ZAJAL

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MEDITERRANEE SACREE

RADIOS

CONCERTS reviews

The Enkidu Passion (Gilgamesh, epic)
Le Monde, November 30, 2018
Anaclase, December 2018
L’Est Républicain, November 20, 2018
Sinfonietta IX, Oltrix Céline Wadoux June 16, 2018
Regarde ici-bas Resmusica, Michèle Tosi 26 November 2017
Rituels CLASSICA, March 2, 2017
Combattimenti, creation in Strasbourg, Musica Festival October 4, 2017
by Geneviève Charras
Gemme at the Musica Festival, September 29, 2017
Creation d’Exercices de Lumières of Zad Moultaka María Cristina Kiehr Concerto Soave and Mezwej ensembles
ANACLASE, February 28, 2017
Lamentazioni – Concerto Soave & Mezwej
BaroquinadeS – March 02, 2017 by Jean-Stéphane SOURD DURAND
“La Passion d’Adonis”, a Syrian voice
La Croix, March 22, 2016, Marie Soyeux
The new Passion of the Passions
Le Figaro, Thierry Hillériteau, March 24, 2016
La Passion d’Adonis oratorio for a Syria in ruins
Libération, Frédérique Roussel, March 22, 2016
In Spezia, Zad Moultaka apre una finestra sulla notte araba
The Avvenire, Alessandro Beltrami, March 22, 2017
Is it the text that carries the music?
L’Orient le Jour, October 12, 2015

 

Classicnews.com, November 2016

ResMusica, UM, creation
by Michèle Tosi, October 2016
The mystics of today
Classic but not has been, Séverine Garnier, July 2014
Classic but not has been, Séverine Garnier, July 2014
Between sirens and tritons, an interview with composer Zad Moultaka
 concertclassic.com Alain Cochard, October 29, 2009
ForumOpera, December 6, 2016  Roland Duclos
Hummus, Irtijal Festival
An Nahar, May Mensas, April 5, 2016
350 voix pour Sappho
Séverine Garnier, Classic but not has been, July 2014
La Montagne/ Clermont-Ferrand
November 7, 2016
Zibeline, Tenso days
February 5, 2016
The Daily Star: Irtijal Festival
April 14, 2012
Ethnotempos Chronicle
Ethnotempos column Stéphane Fougère
Festival Music Lights 2008
ResMusica, Hubert Stoecklin, July 2008

Exhibitions

Art Collector November 2016

Chronic Records

Musicologie.org, Where is the night
Alain Lambert, November 1st, 2014

PORTRAITS

Télérama, 27 September 2017
by Sophie Bourdais

Le Républicain Lorrain, april 2017

Anaclase, april 2017
by bertrand bolognesi

La Terrace, november 2016
by Ilana Mazel

A prospective article by Edgar Davidian
L’Orient le jour of January 12, 2016
LA CROIX
September 29-30, 2012 by Emmanuelle Giuliani
TELERAMA by Xavier Lacavalerie, October 2010

ACHILLEA (in english) June 2016

INTERVIEWS

With Jean-François Perrier on April 10, 2016
for the Comédie de Clermont-Ferrand
With Michel Grinand for Avant-chœurMay 2016
With La Terrasse, about Diptyque, October 2012

CHRONIC

Ritual, meeting the sacred
Michèle Tosi, January 9, 2017
Diapason May 2017
Classica April 2017
The Sunday newspaper, Alexis Camion, Dec. 2016

A media at the service of music
NOW, Hiam Yared, March 12, 2009

ARAB PRESS

MUGHTAREB
May 2013 (in Arabic)

Interview with Zad Moultaka, by Catherine Peillon
on music & poetry relations
| Actes Sud | The thought of midi2009 / 2 – N ° 28

Those who listen
by Corinne Schneider, Emmanuel Daydé, Catherine Peillon.
2e2m editions

“To seek is to live”
by Catherine Peillon
Residence brochure Arsenal of Metz

Musical Figures of Lebanon
Zad Moultaka by Zeina Kayalii
Gueuthner editions, 2016

Zad Moultaka by Leila Kilani

Zad Moultaka is the portrait film of a singular composer, one of the bridgeheads of new Arab music.

DVD KILANIDVD KILANIR realized in 2002, it describes the genesis of a reflection that will lead the composer to develop a very personal language at the east-west hinge, irrigated by elements and Arab forms (cyclicity, monody, unison, heterophony).

With an immense sensitivity, Leila Kilani films the composer belonging to the younger generation of these artists who live in the West, make regular passages in their country of origin, but conceive their lives only between the two shores of the Mediterranean … Trained at the pinnacle of Western musical writing, but intrinsically linked to its Arab roots and its cultural peculiarities, Zad Moultaka constantly reconciles musical gesture and the sign of writing in order to overcome the contingencies of the one and the other. The film follows the composer in the discovery of his intimate space.
extrait © La Huit




Catalogue Présences 2013
interview with Christian Wasselin

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